Piñata Ink on Opaque White

I also love the way the Piñata ink looks on the Opaque White Cernit.
The Opaque White is what I call a Ice white or White White. It is very white and even after baking stays quite white. I just love this.
So when I apply the Piñatas to the surface of this very white clay the colors stay vibrant and very true to what they are out of the bottle. They are not muddied up by a muddy white color.
Here is the tile baked (on the left) and raw clay (on the right) so you can see the darkening of the colors that I was talking about in the previous post.


This is a technique that I just love where you are using sheets of the Opaque white and coloring them with the Piñata ink on the surface. All of those sheets are stacked and rolled through the pasta machine several times and then stacked and cut with a ripple blade. And best of all it is a rainbow ripple, YAY!!! I love rainbows. Any way… I digress.
Each side of the slice will be very different from the next.
This is a version of Mokume Gane that uses a distorted blade instead of distorting the stack.

Stamped Mokume Gane- part 2

Mix a half of block of Cernit opaque white with Cernit pearl, this will be the color that runs throughout the stack that is the same.

Condition and mix the clay till it is mix thoroughly.

Roll out in your pasta machine on the 5th thickest setting (now say that real fast 5 times).

Now depending on how many colors of clay you choose to use you will need a sheet of pearl that is 2” x1” for every color.

I like to keep it to about 6 colors (No reason really, just the way I roll). So for these instructions you will need 6 pearl and white mix sheets and 6 color sheets. You can use the first sheet you cut to measure all of the others.

I am going to use purple, turquoise, light green, neon yellow, orange, and red. Condition each of the colors and roll out on the 5th thickest setting and cut the same size sheets as you did for the pearl/white mixed color.
Continue with the measuring of the colors.

Set down a 2” x1”sheet of pearl and add a purple, pearl, add a turquoise, pearl, light green and so on in a rainbow. Please, I like to demo in a rainbow, pick colors that make your heart sing, if you can not think of anything just use colors like shades of the same blue, browns, blacks and grays, ocean, fire, autumn, Indian sunset (hi Lala!), I think you get the idea. I don't know what Indian Sunset is to you but to me it it, purple, red, Christmas red, orange, lemon and yellow.

Your stack will look like so...

Flatten the stack to about ¼” thick, try to flatten evenly starting on one end and move a little at a time to the other side of the stack.

Roll through your pasta machine on the thickest setting.

next...

Stamped Mokume Gane- part1

I wrote this up in 2003 and I thought it might be time to publish it again with the clay I use now, Cernit, the link will take you to my husband's store the Clay Factory.
I will probably have to post this in sections until I figure this whole blogger thing out.

Mokume Gane is a technique that comes from Japanese sword making. It is a method of stacking different colored metals together, stretching and pounding and distorting them to make wood grain or water like images in the cross sections. A lot of Polymer clay people have adopted this technique to make very beautiful patterns in the clay; covering beads, glass, and incorporating the slices into their work. I think that Lindly Haunani made us all aware many years ago of the beauty that could be achieved with this dynamic and easy technique.
It is easy and the random beauty of each slice is something to behold. There are lots of methods of achieving this look but I find this is an easy (Oops!!!!! Did I say that again?), and quick way to make the patterns. I use a common color through out the stack like pearl, gold, translucent, white, black, or silver and a pallet of colors, i.e. the rainbow ones, red, orange, yellow, green, blue and purple. You can also add sheets of clay that have metal leaf added to them or have been painted with different paints, thin washes of Lumiere maybe, or brushed with pearl-ex powders and then coated with a very thin coat of pearl-ex varnish and allowed to dry can be added to the stack too. It is fun to play with and a very easy (oops there it is again) technique to start with, and you will have dynamic results to encourage you to move forward through this addiction. LOL!
For the Mokume you will need:
1-2 ounce block of Pearl, silver, white, black or gold and enough of red, orange, yellow, green, blue and purple to make the sheets below, probably less than a ¼ block of each color.
I am using Cernit phthalate free clay for this project but other clays will work just as well. Use what floats your boat, OK? I will use what floats mine.
Clay Dedicated Pasta machine
Clay blade
Rubber stamps- These need to be deep, bold, and defined stamps, better to use out line image stamps than shaded image stamps. Howard has something called Stamp Scraps that are perfect for this at the Clay Factory the link will take you there.
Needle tool, paper clip, filigree finding, and screw
Punch cutters by Kemper (these come in sizes from 3/16” to ¾” and several different designs, they are very tiny cookie type cutters with plungers to get the clay out.)
The settings on my pasta machine run this way, #1 being the thickest and #9 being the thinnest.